| Wycliffe
Gordon enjoys an extraordinary career as a performer, conductor,
composer, arranger, and educator, receiving high praise from
audiences and critics alike. Gordon tours the world performing
hard-swinging, straight- ahead jazz for audiences ranging from
heads of state to elementary school students. His trombone playing,
which mixes powerful, intricate runs with sweet notes extended
over clean melodies, has been universally hailed by jazz critics.
Gordon received the Jazz Journalists Association 2002 and 2001
Award for Trombonist of the Year, the Jazz Journalists Association
2000 Critics' Choice Award for Best Trombone and has been nominated
for the 2003 Jazzpar Award.
In addition to a thriving solo career, he tours regularly leading
the Wycliffe Gordon Quartet headlining at legendary jazz venues
throughout the country. Gordon is a former veteran member of
the Wynton Marsalis Septet, The Lincoln Center Jazz Orchestra,
and The Gully Low Jazz Band. Gordon's extensive performance experience
includes gigs with Dizzy Gillespie, Nat Adderley, Harry "Sweets" Edison,
Joe Henderson, Al Grey, Clark Terry, Branford Marsalis, Tommy
Flanagan, Shirley Scott, Lionel Hampton, and Shirley Horn, to
name just a few. Additionally, Gordon has been a featured guest
artist on Billy Taylor's Jazz at the Kennedy Center series.
Gordon's musical prowess has been captured on numerous recordings,
including five solo CDs and three co-leader CDs. His latest solo
effort, United Soul Experience, was released in October 2002.
Gordon is featured on numerous recordings with The Wynton Marsalis
Septet, The Lincoln Center Jazz Orchestra, and numerous others
as evidenced in an extensive discography. Gordon is also featured
on a to-be-released recording, produced by George Avakian, of
previously unrecorded songs by Louis Armstrong.
Wycliffe Gordon is also a gifted composer and arranger. He was
commissioned to compose a vibrant new score for the 1925 classic
silent film Body and Soul (notable as the screen debut of Paul
Robeson), which was premiered at The Lincoln Center Jazz Orchestra's
2000-01 season opening night performance at Avery Fisher Hall.
Gordon's compositions have been performed by The Lincoln Center
Jazz Orchestra and The Wynton Marsalis Septet, and included in
programs at Carnegie Hall, The Gershwin Festival in Switzerland,
Jazz Aspen/Snowmass, and as a part of PBS's Marsalis on Music
series. The 2000-01 Lincoln Center Jazz Orchestra's concert season
brought premieres of compositions by Gordon for a variety of
ensembles, including jazz bands, symphonic bands, and concert
and gospel choirs in Russia, New York, and The University of
Scranton.
Gordon's television appearances have been on the 1999 Grammy
Awards, in the PBS special documentary Swingin' with the Duke,
and in two new Live from Lincoln Center broadcasts – Uptown
Blues, Ellington at 100 (a collaboration between The Lincoln
Center Jazz Orchestra and The New York Philharmonic) and Big
Train with The Lincoln Center Jazz Orchestra. Gordon also appeared
in Ken Burns' documentary series, Jazz. Television appearances
also include A Carnegie Hall Christmas Concert and Live from
Lincoln Center. He has also appeared with the Wynton Marsalis
Septet in the feature film Tune In Tomorrow, starring Peter Falk,
Keanu Reeves and Barbara Hershey.
Gordon is rapidly becoming one of America's most persuasive
and committed music educators. Currently serving on the faculty
of the newly established Jazz Studies Program at The Juilliard
School and serves as Artist-In-Residence at the School of Music
at Michigan State University. His work with young musicians and
audiences from elementary schools to universities all over the
world is extensive, and includes masterclasses, clinics, workshops,
children's concerts and lectures — powerful evidence of
his unique ability to relate musically to people of all ages.
Born on May 29, 1967 in Waynesboro, Georgia, Gordon was first
introduced to music by his late father, Lucius Gordon, a classical
pianist and teacher. His interest in the trombone was sparked
at age twelve by his elder brother who played the instrument
in his junior high school band. Egged on by sibling rivalry,
Gordon's relentless pleading to his parents led to his first
trombone. A year later, an aunt bequeathed Gordon her jazz record
collection, and so began his passion for jazz music.
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